2024 Awards

Margaret Mahy Book of the Year

Nine Girls

Published by: Penguin, Penguin Random House

Written by Stacy Gregg (Ngāti Mahuta, Ngāti Pūkeko, Ngāti Maru Hauraki)

In Nine Girls Stacy Gregg masterfully weaves comedy, fantasy and history together in a profound exploration of the complexity of identity in Aotearoa New Zealand through the experiences of a young Māori girl finding her place in the world. Historical events are woven into the fabric of the story, grounding her personal journey in a broader socio-political context. Vivid characters animate a fast-paced, eventful narrative with plot twists and emotional highs and lows.

This book celebrates Māori identity, pays tribute to Aotearoa’s rich history, and testifies to the power of storytelling. Nine Girls is a taonga for readers of all ages, resonating long after the final page is turned.

Category Winners

PICTURE BOOK AWARD

Paku Manu Ariki Whakatakapōkai

Published by: Gecko Press

Written by Michaela Keeble with Kerehi Grace (Ngāti Toa Rangatira, Ngāti Porou), and illustrated by Tokerau Brown

Paku Manu Ariki Whakatakapōkai is groundbreaking, deeply creative, and completely original. The story comes from the mouth of a child, and the illustrations are a direct window to the imagination, or maybe to the reality of a child’s mind as they make sense of their identity, whānau, culture, and other big questions.

This is a sophisticated picture book that can be enjoyed by all ages. An inspirational read that will encourage our tamariki and mokopuna to tell their own stories, with their own voices, it deserves to become an Aotearoa bookshelf classic.

WRIGHT FAMILY FOUNDATION ESTHER GLEN AWARD FOR JUNIOR FICTION

Nine Girls

Published by: Penguin, Penguin Random House

Written by Stacy Gregg (Ngāti Mahuta, Ngāti Pūkeko, Ngāti Maru Hauraki)

Using the thread of storytelling, Nine Girls weaves together an exploration of the complexity of identity, the resonance of history, and the transformative power of friendship. Comic action, magical realism, and social history are skilfully combined in this captivating coming-of-age story. Vivid and well-developed characters populate a fast-paced, eventful narrative as we follow the young protagonist’s journey to discovering her Māori identity. Te ao Pākehā and te ao Māori are equally uplifted as the text explores our bicultural history.

Poignant and profound, affirming and authentic, this book is rich with themes of identity, friendship, and cultural heritage – a taonga from a masterful storyteller.

YOUNG ADULT FICTION AWARD

Catch a Falling Star

Published by: Penguin, Penguin Random House

Written by Eileen Merriman

Catch a Falling Star is a masterclass in writing that bravely tells the story of Jamie Orange, a complicated and endearing young man who struggles with mental health issues while juggling school work, relationships, and performing in the local musical.

Eileen Merriman has skilfully and sensitively captured Jamie’s journey, allowing readers to step in and experience it alongside him. The result is a remarkably authentic portrayal of his escalating problems, fraught with frenetic energy and leading to a horrifying climax. This book is significant for teens today who may relate to the issues Jamie faces, and better understand them through reading his story.

ELSIE LOCKE AWARD FOR NON-FICTION

Ultrawild: An Audacious Plan to Rewild Every City on Earth

Published by: Allen & Unwin

Written and illustrated by Steve Mushin

In Ultrawild, Steve Mushin leads us on a deadly serious quest to design our way out of climate change. He presents out-there concepts that are ingenious, technically plausible and often humorous – but it’s the way they are communicated that gives this book the wow factor. Pages are filled to the brim with detailed illustrations of his designs, speech bubbles, arrows, calculations, and full-page spreads that show what these rewilded cities could look like. This book about futuristic design is itself an object of outstanding design.

Ultrawild encourages readers to see the explicit connection between creativity and science, and as Steve Mushin puts it, to think ludicrous thoughts and have revolutionary ideas.

RUSSELL CLARK AWARD FOR ILLUSTRATION

Patu: The New Zealand Wars

Published by: Puffin, Penguin Random House

Illustrated and written by Gavin Bishop (Tainui, Ngāti Awa)

In Patu: The New Zealand Wars, Gavin Bishop has brought everything in his considerable artistic arsenal to bear on this most difficult and fundamental part of our colonial history, with the ambition and control of an illustrator at the height of their mastery.

A complex and wide-ranging story is told clearly and accessibly at least as much through the illustrations as it is through the words, and most importantly it is told with power. In what is not just a historical recounting, the stark compositions and limited colour palette speak to a deeply personal tale; one of mamae discovered, mamae long felt, and mamae yet to be healed.

WRIGHT FAMILY FOUNDATION TE KURA POUNAMU AWARD FOR TE REO MĀORI

Nani Jo me ngā Mokopuna Porohīanga

Published by: Baggage Books

Written by Moira Wairama and illustrated by Margaret Tolland

Nani Jo me ngā Mokopuna Porohīanga is a beautifully written story about the special memories and bonds that are made when we are intentional in our relationships. Opening with childlike bubbly energy and using repetitive language to capture younger audiences, Nani Jo and her mokopuna guide us through the spiritual and emotional experiences of life.

This taonga uses inclusive language to convey the significance of stories, their role in helping us make sense of our world, and the importance of poroporoaki to the grieving process. It is in itself a journey of creating and sharing stories that will live on in generations to come.

NZSA BEST FIRST BOOK AWARD

Tsunami

Published by: Earth’s End Publishing

Written and illustrated by Ned Wenlock

As a graphic novel Tsunami is exemplary, with the language of comics intrinsic to its understanding and impact. The toy-like characters with their clean simple lines invite readers to identify with them, even as their diagrammatic performance of the story's central tragedy distances readers from them – thus seamlessly reflecting the book's themes of alienation and the need for connection.

Tsunami respects the ability of its audience to handle ambiguity, to rise to meet its challenges and to find its rewards, however unsettling the journey may be. This is a book that lingers after the reading, and seems destined to be studied and discussed for a long time to come.