Jann Medlicott Acorn Prize for Fiction

Better the BloodBetter the Blood

Better the Blood

Published by: Simon & Schuster

Michael BennettMichael Bennett

Michael Bennett (Ngāti Pikiao, Ngāti Whakaue)

Michael Bennett’s finely tuned thriller opens with an historical atrocity before moving to a contemporary series of murders. Detective Hana Westerman is caught between being a good cop or a kupapa collaborator, and the cases become frighteningly personal. Excellently paced and populated by complex characters, this intricate novel centres on conflict between utu and on the aroha, hūmarie and manaaki needed to move forward.

Kāwai: For Such a Time as ThisKāwai: For Such a Time as This

Kāwai: For Such a Time as This

Published by: Bateman Books

Monty SoutarMonty Soutar

Monty Soutar (Ngāti Porou, Ngāti Awa, Ngāi Tai ki Tāmaki, Ngāti Kahungunu)

In senior Māori historian Monty Soutar’s powerful novel we learn histories that transport us across place, time, and generations. We become wrapped in the passion and honour of a mid-18th century ao Māori. Tikanga and mātauranga Māori, rangatiratanga, and love for the whenua and the iwi immerse us; butchery, enslavement, and spiritual curses smash. Mana foments the fires of war. Can later generations reassert balance?

Mrs Jewell and the Wreck of the General GrantMrs Jewell and the Wreck of the General Grant

Mrs Jewell and the Wreck of the General Grant

Published by: The Cuba Press

Cristina SandersCristina Sanders

Cristina Sanders

Based on the true story of an 1866 shipwreck, this re-telling of the endurance of the survivors on a sub-Antarctic island is impeccably researched and peopled by rounded, realistic and complex characters. Dramatic and well paced, it is rich with vivid descriptions of sea, land and weather, and Cristina Sanders offers insight into the physical and psychological effects of being stranded in an inhospitable environment. Historical fiction at its best.

The Axeman’s CarnivalThe Axeman’s Carnival

The Axeman’s Carnival

Published by: Te Herenga Waka University Press

Catherine ChidgeyCatherine Chidgey

Catherine Chidgey

Catherine Chidgey’s novel is a rich mix of humour and tragedy, suspenseful, insightful and compelling. It’s a contemporary down-on-the-failing-farm tale with a highly inventive and entertaining twist: the narrator is a sentient magpie, Tama, who flies from its pages fully formed and loveable. The story unfolds with many laugh-aloud moments coupled with an overriding sense of dread. Chidgey’s writing is masterful, abounding with poetic language and intensely descriptive settings.

Mary and Peter Biggs Award for Poetry

Always Italicise: How to Write While ColonisedAlways Italicise: How to Write While Colonised

Always Italicise: How to Write While Colonised

Published by: Auckland University Press

Alice Te Punga SomervilleAlice Te Punga Somerville

Alice Te Punga Somerville (Te Āti Awa, Taranaki)

Alice Te Punga Somerville’s meticulously crafted collection resonates with aroha, wit, sadness and anger. Advice to “italicise all of the foreign words in her poems” becomes a catalyst to exploring the dynamics of racism, colonisation, and writing in English as a Māori writer. Poems float like gourds strung with musings and personal recounts. English words incline as foreign words, but te reo syllables evade linguistic ambushes, camouflaged soundscapes and erasure. They stand upright, mark Space-Time like pou.

People PersonPeople Person

People Person

Published by: Te Herenga Waka University Press

Joanna ChoJoanna Cho

Joanna Cho

Joanna Cho explores relationships, identity and survival with an aching, ironic honesty. A people person may have a name bought from a fortune-teller, drive battered cars, light up rooms with their hearts, or miss the smell of kawakawa ointment. Cho navigates expectations and choices in imagined and recalled stories, skilfully connecting folklore with autobiographical snapshots from South Korea and Aotearoa. Whimsical, surreal, magical and mundane elements meld and clash in poetic vignettes.

SeditionSedition

Sedition

Published by: Taraheke | Bush Lawyer

Anahera Maire GildeaAnahera Maire Gildea

Anahera Maire Gildea (Ngāti Tukorehe)

Sedition flows through generations of dis-ease, enlivens tongues stilled by loss and trauma, excavates a genealogy of resistance. It’s a contemplative, defiant collection that resists the commodification of culture and whenua, and the ongoing perversity of neo-colonialism. Poems float upon the notion that we walk into the future facing our past, which embodies and shapes us. Anahera Maire Gildea agitates, untangles and reweaves threads of outrage, dystopia and anguish as she resolutely redraws detrimental power.

We’re All Made of LightningWe’re All Made of Lightning

We’re All Made of Lightning

Published by: We Are Babies Press, Tender Press

Khadro MohamedKhadro Mohamed

Khadro Mohamed

Khadro Mohamed’s elegiac collection features a speaker torn between multiple worlds. Pendulating from prose to lyric, it is a ghostly work in which dreams and memory bleed into each other, as do its places: Egypt, Somalia, Newtown and Kilbirnie. Even time becomes concurrent, and for Mohamed, the past is right there in the present. In this collision of languages and worlds, the possibility and impossibility of home is both grieved and celebrated.

Booksellers Aotearoa New Zealand Award for Illustrated Non-Fiction

Jumping Sundays: The Rise and Fall of the Counterculture in Aotearoa New ZealandJumping Sundays: The Rise and Fall of the Counterculture in Aotearoa New Zealand

Jumping Sundays: The Rise and Fall of the Counterculture in Aotearoa New Zealand

Published by: Auckland University Press

Nick BollingerNick Bollinger

Nick Bollinger

With its distinctive cover, bold typography and risograph hues on uncoated stock, this book demands to be read from page one. Weaving original sources into an engaging narrative, Nick Bollinger has crafted a considered and fitting history. Photographs from private collections add to its rich production, balancing text and illustration in ways that belie its size. Like the period it surveys, Jumping Sundays is a game-changer.

Robin White: Something is Happening HereRobin White: Something is Happening Here

Robin White: Something is Happening Here

Published by: Te Papa Press and Auckland Art Gallery Toi o Tāmaki

Sarah FarrarSarah FarrarJill TrevelyanJill TrevelyanNina TongaNina Tonga

Sarah Farrar, Jill Trevelyan and Nina Tonga

This is more than an exhibition turned art book. Stunning reproductions, historical essays and the insights of two dozen contributors do justice to the institution that is Robin White. As iconic screenprints flow seamlessly into large format barkcloth, White’s border-crossing practice is temporally divided with the savvy use of typographic spreads. Space, too, is given to the voices of her Kiribati, Fijian and Tongan collaborators. Strikingly elegant yet comprehensive, excellence is what’s happening here.

Secrets of the Sea: The Story of New Zealand’s Native Sea CreaturesSecrets of the Sea: The Story of New Zealand’s Native Sea Creatures

Secrets of the Sea: The Story of New Zealand’s Native Sea Creatures

Published by: HarperCollins

Robert VennellRobert Vennell

Robert Vennell

Secrets of the Sea is a treasury of interesting facts, beautiful photography and remarkable prose. Beyond the luscious illustrations is a perfect blend of science, history and mātauranga Māori that gives the text depth and relevance and reveals in fascinating (and urgent) ways the interconnectedness of the human and extra human world. Visually compelling and hugely accessible, this impactful book will delight the marine biologist, sea aficionado and general reader alike.

Te Motunui EpaTe Motunui Epa

Te Motunui Epa

Published by: Bridget Williams Books

Rachel BuchananRachel Buchanan

Rachel Buchanan (Taranaki, Te Ātiawa)

Innovative and immensely topical, Te Motunui Epa is a triumph of storytelling and a challenge to the confines of traditional historiography. Rachel Buchanan’s meticulous research and compelling writing is complemented by the very best in graphic design – from its light-catching cover to the black-bordered array of archival documents. Generous while unafraid to confront the colonial hurt at the heart of the story, this is a deceptively powerful and enduring work.