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Winners of the 2017 Ockham New Zealand Book Awards

Globally Lauded Novelist Wins Country’s Biggest Fiction Prize

Internationally renowned Ngāruawāhia resident Catherine Chidgey has won New Zealand’s richest writing award, the $50,000 Acorn Foundation Fiction Prize, for her novel The Wish Child. The award was announced this evening at the 2017 Ockham New Zealand Book Awards.

The panel of judges — Bronwyn Wylie Gibb, Peter Wells, Jill Rawnsley and inaugural international judge the Canadian writer Madeleine Thien — said “The Wish Child exposes and celebrates the power of words – so dangerous they must be cut out or shredded, so magical they can be wondered at and conjured with – Chidgey also exposes the fragility and strength of humanity ... Compelling and memorable, you’ll be caught by surprise by its plumbing of depths and sudden moments of grace, beauty and light.”

The Wish Child, Chidgey’s fourth novel, comes 13 years after her last work, The Transformation, was published to critical acclaim. Chidgey’s previous novel Golden Deeds was chosen as a Book of the Year by Time Out (London), a Best Book by the LA Times Book Review and a Notable Book of the Year by the New York Times. Her debut novel, In a Fishbone Church,won a Commonwealth Writers Prize (South East Asia and South Pacific).

Her latest novel, published by Victoria University Press, is one of four Ockham New Zealand Book Awards category winners, selected by four panels of specialist judges out of a shortlist of 16, which were in turn drawn from 40 longlisted titles from 150 entries.

Four Best First Book Awards were also presented.

Paris-based Andrew Johnston won the Poetry category for his collection Fits & Starts (Victoria University Press). a book described by the category’s judges’ convenor, Harry Ricketts, as a slow-burning tour de force.

“The judges’ admiration for Andrew Johnston’s remarkable collection grew with each rereading, as its rich intellectual and emotional layers continued to reveal themselves ... Using a minimalist couplet-form, the collection is at once philosophical and political, witty and moving, risky and grounded, while maintaining a marvellously varied singing line.

“To reward Fits & Starts with the overall poetry prize is to reward New Zealand poetry at its most impressive and its most promising.”

Ashleigh Young (Wellington) took the Royal Society Te Apārangi Award for General Non-Fiction for her collection of personal essays Can You Tolerate This? (Victoria University Press).

The category’s judges’ convenor, Susanna Andrew, says Young’s work sets a high bar for style and originality in a form that has very little precedent in this country. “Always an acute observer, it is in Young’s commitment to writing as an art that the true miracle occurs; she tells us her story and somehow we get our own.”

Young catapulted to international recognition earlier this year when she won the Yale University US$165,000 Windham-Campbell Prize for the collection.

Dunedin writer and historian Barbara Brookes won the Illustrated Non-Fiction category for her meticulously documented work A History of New Zealand Women (Bridget Williams Books).

The category’s judges’ convenor, Linda Tyler, says Brookes’ work combines deep research, an immensely readable narrative, superbly well-integrated images and is distinguished by close attention to both Māori and Pakehā women.

“Putting women at the centre of our history, this sweeping survey shows exactly when, how and why gender mattered. General changes in each period are combined effortlessly with the particular, local stories of individual women, many not well-known. A wider sense of women’s experiences is beautifully conveyed by the many well-captioned artworks, photographs, texts and objects.”

For the second year, the Ockham New Zealand Book Awards take pride of place as the first public event of the Auckland Writers Festival.

Auckland Writers Festival director, Anne O’Brien, says she is delighted to launch the six-day Festival with the country’s premier book awards.

“Hosting the awards is a demonstration of our commitment to local writers, and as the largest showcase of New Zealand literature in the world, we are thrilled with the opportunity to do so. More than 100 of the nation’s best writers take part in the Festival’s more than 170 events, including tonight’s winners. I encourage everyone to come along, have some fun and be inspired by the wealth of this country’s writing talent,” says Ms O’Brien.

The Poetry, Illustrated Non-Fiction and General Non-Fiction category winners each took home a $10,000 prize.

This year’s four category award winners will appear at a free event at the Auckland Writers Festival: The State We’re In on Friday 19 May at 5.30pm in the Heartland Festival Room, Aotea Square.

Four authors won four Best First Book Awards at the event:

The Judith Binney Best First Book Award for Illustrated Non-Fiction: Ngarino Ellis for A Whakapapa of Tradition: 100 Years of Ngāti Porou Carving, 1830-1930, with new photography by Natalie Robertson (Auckland University Press).

The Jessie Mackay Best First Book Award for Poetry: Hera Lindsay Bird for Hera Lindsay Bird (Victoria University Press).

The E.H. McCormick Best First Book Award for General Non-Fiction: Adam Dudding for My Father’s Island: A Memoir (Victoria University Press).

The Hubert Church Best First Book Award for Fiction: Gina Cole for Black Ice Matter (Huia Publishers).

Each Best First Book Award winner received $2,500.

The Ockham New Zealand Book Awards are supported by Ockham Residential, Creative New Zealand, The Acorn Foundation, Book Tokens (NZ) Ltd and the Royal Society Te Apārangi.

Editor’s Notes:

The Ockham New Zealand Book Awards are the country’s premier literary honours for works written by New Zealanders. First established in 1968 as the Wattie Book Awards (later the Goodman Fielder Wattie Book Awards), they have also been known as the Montana New Zealand Book Awards and the New Zealand Post Book Awards. Awards are given for Fiction (the Acorn Foundation Fiction Prize), Illustrated Non-Fiction, General Non-Fiction (the Royal Society Te Apārangi Award for General Non-Fiction) and Poetry. There are also four Best First Book Awards and, at the judges’ discretion, a Māori language award. The awards are governed by the New Zealand Book Awards Trust (a registered charity). Members of the Trust are Nicola Legat, Karen Ferns, Paula Morris, Catherine Robertson, Stella Chrysostomou, David Bowles, Pene Walsh and Melanee Winder. Creative New Zealand is a significant annual funder of the awards. The Trust also governs the New Zealand Book Awards for Children and Young Adults and Phantom Billstickers National Poetry Day.

Ockham Residential Limited is Auckland’s most progressive developer. Founded in 2009 by Mark Todd and Ben Preston, Ockham describes itself as an urban regenerator, a company that loves Auckland, and that wants to see its built environment become as beautiful and as world-class as its natural landscape. The business has ambitions wider than profitability: the company has also established the Ockham Foundation, an education-focused charity, to promote original thinking and critical thought — two key elements of public discourse — via education. It works with the University of Auckland to fund First Foundation Scholars studying science, and it also sponsors Ngā Rangatahi Toa’s work with at risk youth.

The Acorn Foundation is a community foundation based in the Western Bay of Plenty, which encourages people to leave a gift in their wills and/or their lifetimes to support their local community forever. Donations are pooled and invested, and the investment income is used to make donations to local charities, in accordance with the donors’ wishes. The capital remains intact. Since it was established in 2003, Acorn has distributed over $3.6 million, and it currently has invested funds of $16.7 million. Community foundations are the fastest growing form of philanthropy worldwide, and there are now 13 throughout New Zealand. The Book Awards’ $50,000 fiction award, known as the Acorn Foundation Fiction Prize, has been provided through the generosity of one of the Foundation’s donors, and will be awarded to the top fiction work each year, in perpetuity.

Royal Society Te Apārangi offers expert advice to government and the public, recognises excellence in research and scholarship in science, technology and humanities, promotes science and technology education, publishes peer-reviewed journals, administers funds for research and fosters international scientific contact and co-operation.

Creative New Zealand has been a sustaining partner of New Zealand’s book awards for decades. Creative New Zealand encourages, promotes and supports the arts in New Zealand for the benefit of all New Zealanders through funding, capability building, an international programme, and advocacy. It offers financial support for emerging and established artists, art practitioners, groups and organisations, and provides training and online resources to help artists and practitioners develop professionally, grow audiences and markets, and manage their organisations. It also supports internships and national touring to help develop New Zealand arts. Creative New Zealand provides a wide range of support to New Zealand literature, including funding for writers and publishers, residencies, literary festivals and awards, and supports organisations which work to increase the readership and sales of New Zealand literature at home and internationally.

Book Tokens (NZ) Ltdunderwrites the sale of book tokens within New Zealand. It is administered by Booksellers New Zealand.

This year’s Ockham New Zealand Book Awards judges, in alphabetical order, are: Susanna Andrew,Tom Brooking,Paul Diamond,Morgan Godfery,Bronwyn Labrum,Vivienne Plumb,Jill Rawnsley, Harry Ricketts, Steven Toussaint, Linda Tyler, Peter Wells and Bronwyn Wylie-Gibb. For more about the judges, go to: http://www.nzbookawards.nz/new-zealand-book-awards/2017-awards/judges/.